{"id":3856,"date":"2023-01-01T10:03:41","date_gmt":"2023-01-01T10:03:41","guid":{"rendered":"http:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856"},"modified":"2023-01-25T18:29:42","modified_gmt":"2023-01-25T18:29:42","slug":"they-took-away-our-voice","status":"publish","type":"page","link":"https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856","title":{"rendered":"THEY TOOK AWAY OUR VOICE"},"content":{"rendered":"

\"\"<\/h4>\n

“THEY TOOK AWAY OUR VOICE<\/strong>“, MOSTRA ITINERANTE DELLE ALLIEVE\u00a0DELLA\u00a0“PHOTOGRAPHY SCHOOL<\/strong>” DEL CAMPO PROFUGHI DI DIAVATA (GRECIA), CON TUTOR MATTIA BIDOLI<\/strong>.
\nLA MOSTRA \u00c8 PROMOSSA DAL CIRCOLO FOTOGRAFICO PALMARINO<\/strong><\/a>, CON IL PATROCINIO ED IL SOSTEGNO DEL COMUNE DI PALMANOVA<\/strong><\/a>.<\/h4>\n

 <\/p>\n

Dietro ogni fotografia una storia:
\ndi dolore, di violenza, di oppressione, di fuga, ma anche di riscatto e di rinascita.<\/h4>\n

DIDASCALIE IMMAGINI<\/strong><\/h2>\n
Per una migliore visione delle didascalie, utilizzare il cellulare in orizzontale.<\/span>
\n To better read the caption, use your mobile phone in a horizontal position.<\/span>
\n Um Die Beschreibung besser lesen zu k\u00f6nnen, nutzen Sie das Handy horizontal.<\/span><\/h6>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\"\"<\/td>\n1.\u00a0\u00a0\u00a0 <\/strong>Judgement\u00a0-Zohre Mussakhan<\/strong><\/td>\n<\/tr>\n
\"\"Non giudicateci in base a ci\u00f2 che indossiamo, ma in base a ci\u00f2 che siamo.<\/td>\n<\/tr>\n
\"\"Do not judge us by what we wear but by what we are like.<\/td>\n<\/tr>\n
\"\"Beurteilt uns nicht nach der Kleidung, die wir tragen, sondern nach dem wie wir wirklich sind.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n2.\u00a0\u00a0\u00a0\u00a0 <\/strong>Education – Shabana Zahir<\/strong><\/td>\n<\/tr>\n
Sono Shabana, sono nata in Afghanistan, dove le donne non possono studiare. Io sono stata fortunata, ho studiato in India. Ma ora la mia istruzione \u00e8 prigioniera assieme a me.<\/td>\n<\/tr>\n
\"\"I am Shabana, I was born in Afghanistan, where women are not allowed to study at school. I was lucky, I was able to study in India. But now my education is imprisoned as I am.<\/td>\n<\/tr>\n
\u00a0\"\"Ich bin Shabana. Ich bin in Afganistan geboren, \u00a0wo Frauen nicht in die Schule gehen d\u00fcrfen. Ich hatte Gl\u00fcck, ich bsuchte eine Schule in Indien. Aber jetzt ist meine Bildung so wie ich gefangen.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\u00a0\"\"<\/td>\n3.\u00a0\u00a0\u00a0\u00a0 <\/strong>Hope – Mobina Sarvari<\/strong><\/td>\n<\/tr>\n
Sono Mobina, ho 14 anni e non ho mai potuto studiare. La mia speranza, un giorno, \u00e8 riuscire a leggere un libro.<\/td>\n<\/tr>\n
\"\"I am Mobina, I am 14 years old and I never had the chance to study. I hope that one day I will be able to read a book.<\/td>\n<\/tr>\n
\"\"Ich bin Mobina. Ich bin 14 Jahre alt und ich durfte nie zur Schule gehen und lernen. Ich hoffe, dass ich eines Tages in der Lage bin, ein Buch zu lesen.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n4.\u00a0\u00a0\u00a0\u00a0 <\/strong>That is not my home – Sariya Wakili<\/strong><\/td>\n<\/tr>\n
Sono Sariya e questa \u00e8 la casa che mi \u00e8 stata assegnata. Ma non \u00e8 \u201ccasa\u201d.<\/td>\n<\/tr>\n
\"\"I am Sariya and this is the house which was given to me. But it\u2019s not a \u201chome\u201d.<\/td>\n<\/tr>\n
\u00a0\"\"Ich bin Sariya and dieses Haus ist mir zugewiesen worden. Aber es ist kein \u201cZuhause\u201d.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\u00a0\"\"<\/td>\n5.\u00a0\u00a0\u00a0 <\/strong>Childhood dreams – Hebdrin Abdulrahman<\/strong><\/td>\n<\/tr>\n
Sono arrivata al campo dopo un lunghissimo viaggio a piedi. Da grande voglio fare l\u2019astronauta, per poter viaggiare ancora pi\u00f9 lontano. Guarder\u00f2 la terra da lass\u00f9 e non dovr\u00f2 pi\u00f9 fuggire.<\/td>\n<\/tr>\n
\u00a0\"\"I arrrived at the refugee camp after a very long journey on foot. When I grow up I want to be an astronaut to travel further away. From up there I will look at the earth and I will not have to flee anymore.<\/td>\n<\/tr>\n
\u00a0\"\"Ich bin nach einer langen Reise zu Fuss im Fl\u00fcchtlingslager angekommen. Ich m\u00f6chte gern Astronautin werden, um sehr weit weg reisen zu k\u1f45nnen. Von dort oben werde ich auf die Erde schauen und ich werde nicht mehr fl\u00fcchten m\u00fcssen.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n6.\u00a0\u00a0\u00a0 <\/strong>Freedom is not free – Zohre Mussakhan<\/strong><\/td>\n<\/tr>\n
Portare il velo \u00e8 una prigione, se non lo vuoi indossare. Ma se toglierlo diventa un obbligo, \u00e8 solo una nuova prigione.<\/td>\n<\/tr>\n
\u00a0\"\"Being forced to wear the headscarf is like being in a prison if you don\u2019t want to wear it. But it is also like being in a prison if you are forced to remove it.<\/td>\n<\/tr>\n
\u00a0\"\"Den Schleier tragen zu m\u00fcssen bedeutet Gef\u00e4ngnis, wenn man ihn nicht tragen will. Aber gezwungen zu werden, den Schleier abzunehmen ist \u00a0ein neues Gef\u00e4ngnis.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n7.\u00a0\u00a0\u00a0\u00a0 <\/strong>Time – Masoumeh Tajik<\/strong><\/td>\n<\/tr>\n
Quando entri nel campo il tempo si ferma, perch\u00e9 non sai quando potrai uscire. Sei incatenata a un orologio che non ha lancette.<\/td>\n<\/tr>\n
\u00a0\"\"When you enter the refugee camp time stops because you don\u2019t know when you are allowed to leave it. It feels like being chained to a clock without any hands.<\/td>\n<\/tr>\n
\u00a0\"\"Wenn man ins Fl\u00fcchtlingslager kommt, steht die Zeit still, weil man nicht weiss, wann man es wieder verlassen darf. Es ist als sei man an eine Uhr ohne Zeiger gefesselt.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n8.\u00a0\u00a0\u00a0\u00a0 <\/strong>I am what I am\u00a0 – Masoumeh Tajik<\/strong><\/td>\n<\/tr>\n
Non giudicateci in base a ci\u00f2 che indossiamo, ma in base a ci\u00f2 che siamo.<\/td>\n<\/tr>\n
\"\"Do not judge us\u00a0 by to what we wear but by who \u00a0we are like.<\/td>\n<\/tr>\n
\u00a0\"\"Beurteilt uns nicht nach der Kleidung, die wir tragen, sondern danach wie wir wirklich sind.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n9.\u00a0\u00a0\u00a0\u00a0 <\/strong>This is what I have and what I am – Masoumeh\u00a0 Mosawi<\/strong><\/td>\n<\/tr>\n
<\/span>Sono Masoumeh e in questa valigia c\u2019\u00e8 tutto ci\u00f2 che ho e tutto ci\u00f2 che sono. La foto di mio padre, morto in Afghanistan, la foto di mia madre, morta in viaggio. E il Corano, la mia fede.<\/td>\n<\/tr>\n
\u00a0\"\"I am Masoumeh and in this suitcase there is everything I own and everything I am. The photo of my father who died in Afghanistan, the photo of my mother who died during the journey. And the Koran, my faith.<\/td>\n<\/tr>\n
\"\"Ich bin Masoumeh und in diesem Koffer ist alles , was ich besitze and alles, was ich bin. Das Foto von meinem Vater, der in Afghanistan gestorben ist , das Foto von meiner Mutter, die auf der Reise hierher gestorben ist, und der Koran, mein Glaube.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n10.\u00a0 <\/strong>Strenght – Farzana Naeemi<\/strong><\/td>\n<\/tr>\n
<\/span>Le mani nere sono il mio passato, le mani bianche il mio futuro. Indissolubilmente intrecciate.<\/td>\n<\/tr>\n
\u00a0\"\"The black hands are my past, the white ones my future. They are inextricably connected.<\/td>\n<\/tr>\n
\u00a0\"\"Die schwarzen H\u00e4nde sind meine Vergangenheit, die weissen H\u00e4nde sind meine Zukunft. Sie sind untrennbar miteinander verbunden.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n11. <\/strong>Princess without a land – Sariya Wakili<\/strong><\/td>\n<\/tr>\n
<\/span>Sono Sariya e sono curda, nel campo mi sono sempre distinta per la mia grazia e la mia eleganza. Dentro mi sento una principessa.
\nUna Principessa senza nessun regno.<\/td>\n<\/tr>\n
\"\"I am Sariya and I am Kurdish. In the refugee camp I always stood out for my grace and my elegance. I feel like a princess, a princess without a kingdom.<\/td>\n<\/tr>\n
\u00a0\"\"Ich bin Sariya und ich bin \u00a0Kurdin. Im Fl\u00fcchtlingslager stach ich immer hervor durch meine Anmut und meine Eleganz. Ich f\u00fchle mich wie eine Prinzessin, eine Prinzessin ohne ein K\u00f6nigreich.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\u00a0\"\"<\/td>\n12. <\/strong>Portait of a self-portrait – Kowsar Hur<\/strong><\/td>\n<\/tr>\n
<\/span>Al corso di pittura nel campo mi hanno chiesto di fare un autoritratto. Questa sono io: Kowsar.<\/td>\n<\/tr>\n
\"\"During the art classes in the camp they asked me to draw a self-portrait. This is me: Kowsar.<\/td>\n<\/tr>\n
\"\"W\u00e4hrend des Kunstunterrichts im Fl\u00fcchtlingslager hat man mir die Aufgabe erteilt, ein Selbstportr\u00e4t zu erstellen. Das bin ich: Kowsar.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n13. <\/strong>We are one – Masoumeh Tajik<\/strong><\/td>\n<\/tr>\n
<\/span>Nel campo abbiamo trovato amicizia e condivisione: tante mani, un\u2019anima sola.<\/td>\n<\/tr>\n
\u00a0\"\"In the refugee camp we found friendship and sharing: lots of hands, just one soul.<\/td>\n<\/tr>\n
\u00a0\"\"Im Fl\u00fcchtlingslager haben wir Freunschaft und Teilen gefunden: viele H\u00e4nde, eine einzige Seele.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n14.\u00a0 <\/strong>Don’t touch me – Neha Zeeshan<\/strong><\/td>\n<\/tr>\n
<\/span>Sono Neha, promessa sposa a mio cugino. Non voglio diventare una sposa bambina: don’t touch me!<\/td>\n<\/tr>\n
\u00a0\"\"I am Neha, betrothed to my cousin. I don\u2019t want to be a child bride: don\u2019t touch me.<\/td>\n<\/tr>\n
\"\"Ich bin Neha, zuk\u00fcnftige Braut meines Cousins. Ich will keine Kindsbraut werden: fasst mich nicht an.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n15.\u00a0 <\/strong>We are not all on the same boat – Masoumeh Tajik<\/strong><\/td>\n<\/tr>\n
<\/span>Siamo arrivate dal mare, ma la nostra barca si \u00e8 arenata in mezzo all\u2019erba del campo. Non ci ha portato in nessun luogo.<\/td>\n<\/tr>\n
\u00a0\"\"We arrived from the sea, but our boat ran aground in the grass of the camp. It took us to nowhere.<\/td>\n<\/tr>\n
\u00a0\"\"Wir sind vom Meer gekommen, aber unser Boot ist im Gras des Fl\u00fcchtlingslagers gestrandet. Es hat uns nirgendwohin gebracht.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n16.\u00a0 <\/strong>I’m leaving after 4 years inside the camp – Sariya Wakili<\/strong><\/td>\n<\/tr>\n
<\/span>Sono Sariya e questo \u00e8 il mio lasciapassare. Ogni linea che ho cancellato \u00e8 una settimana di vita nel campo. Ho cancellato quattro anni di vita: ora posso partire.<\/td>\n<\/tr>\n
\"\"I am Sariya and this is my pass. Every line I draw represents one week of my life in the camp. I draw \u00a0four years of my life: now I can leave.<\/td>\n<\/tr>\n
\u00a0\"\"Ich bin Sariya und das ist mein Pass. Jeder Strich, den ich gezogen habe, steht f\u00fcr eine Woche Leben \u00a0im Fl\u00fcchtlingslager. Ich habe vier Lebensahre vers\u00e4umt: jetzt kann ich gehen.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n17.\u00a0 <\/strong>They told me my place is in the kitchen<\/strong><\/td>\n<\/tr>\n
<\/span>Mi avevano detto che il mio posto \u00e8 in cucina, le donne non possono combattere\u2026<\/td>\n<\/tr>\n
\"\"I was told that\u00a0 my place was the kitchen, women cannot fight\u2026<\/td>\n<\/tr>\n
\"\"Man sagte mir, dass mein Platz in der K\u00fcche sei, Frauen d\u00fcrfen nicht k\u00e4mpfen\u2026<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n18. …but\u00a0I did it – Yehganeh Esmailyan<\/strong><\/td>\n<\/tr>\n
<\/span>\u2026ma io ho lottato contro i pregiudizi. E ho vinto.<\/td>\n<\/tr>\n
\u2026but I fought against prejudices, and I have won.\"\"<\/td>\n<\/tr>\n
\u00a0\"\"\u2026aber ich habe gegen Vorurteile gek\u00e4mpft und ich habe gewonnen.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n19.\u00a0 <\/strong>Locked – Zohre Mussakhan<\/strong><\/td>\n<\/tr>\n
<\/span>Sono in prigione?<\/td>\n<\/tr>\n
Am I in a prison?\u00a0\"\"<\/td>\n<\/tr>\n
Bin ich in einem Gef\u00e4ngnis?\"\"<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n20. <\/strong>Darkness and light – Masoumeh Tajik<\/strong><\/td>\n<\/tr>\n
<\/span>Il velo nero, la costrizione. Il velo bianco, la scelta.<\/td>\n<\/tr>\n
\"\"The black veil means constraint, the white one free choice.<\/td>\n<\/tr>\n
\"\"Der schwarze Schleier steht f\u00fcr Zwang, der wei\u03b2e f\u00fcr freie Wahl.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\u00a0\"\"<\/td>\n21.\u00a0 <\/strong>I have no identity – Zohre Mussakhan<\/strong><\/td>\n<\/tr>\n
<\/span>Sono Zohre, ma non posso mostrarvi il mio volto. La mia identit\u00e0 \u00e8 un\u2019impronta digitale.<\/td>\n<\/tr>\n
\"\"I am Zohre, but I cannot show you my face. My identity is just a fingerprint.<\/td>\n<\/tr>\n
\"\"Ich bin Zohre, aber ich darf Ihnen nicht mein Gesicht zeigen. Meine Identit\u00e4t ist ein Fingerabdruck.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\u00a0\"\"<\/td>\n22. <\/strong>Men build walls, we plant trees \u2013 Sedigeth<\/strong><\/td>\n<\/tr>\n
<\/span>Le autorit\u00e0 greche hanno utilizzato i fondi della comunit\u00e0 europea per costruire un muro attorno al campo. Non potevamo pi\u00f9 vedere gli alberi, al di l\u00e0 del muro. Loro hanno costruito mura, noi abbiamo piantato alberi.<\/td>\n<\/tr>\n
\"\"The Greek authorities used the funds of the European Community to build a wall around the camp. So we could no longer see the trees beyond the wall. They built the wall, we planted trees.<\/td>\n<\/tr>\n
\"\"Die Beh\u00f6rden \u00a0in Griechenland haben die Gelder der Europ\u00e4ischen Gemeinschaft verwendet, um eine Mauer um das Lager zu bauen. Wir konnten die B\u00e4ume auf der anderen Seite der Mauer nicht mehr sehen. Sie bauten Mauern, wir pflanzten B\u00e4ume.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n23.\u00a0 <\/strong>How dare you? – Yehganeh Esmailyan<\/strong><\/td>\n<\/tr>\n
<\/span>Sono Yehganeh, e sono una donna, perci\u00f2 non mi \u00e8 permesso parlare, non devo osare pensare.<\/td>\n<\/tr>\n
\"\"I am Yehganeh and I am a woman and that\u2019s why I am not allowed to speak, I must not dare to think.<\/td>\n<\/tr>\n
\"\"Ich bin Yehganeh und ich bin eine Frau, deswegen darf ich nicht sprechen, ich darf es nicht wagen zu denken.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n24.\u00a0 <\/strong>How they see me, how I am – Zohre Musskhan<\/strong><\/td>\n<\/tr>\n
<\/span>Sono Zohre e ho tanti colori dentro di me. Ma il volto che devo mostrare agli altri \u00e8 in bianco e nero.<\/td>\n<\/tr>\n
\"\"I am Zohre and I have many colors inside me. But the face I have to show to others is black and white.<\/td>\n<\/tr>\n
\"\"Ich bin Zohre und ich habe viele Farben in mir. Aber das Gesicht, dass ich den anderen zeigen muss, ist schwarz – wei\u03b2.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n25.\u00a0 <\/strong>Stay home – Masoumhe Tajik<\/strong><\/td>\n<\/tr>\n
<\/span>Per noi non c\u2019era ancora posto nel campo, cos\u00ec ci siamo attendati fuori. Anche noi, come tutti, durante il lockdown siamo rimasti a \u201ccasa\u201d.<\/td>\n<\/tr>\n
\"\"There wasn\u2019t any place yet for us in the camp, so we were housed in tends outside. During the lockdown we, like everybody else, stayed \u201cat home\u201d.<\/td>\n<\/tr>\n
\"\"F\u00fcr uns war noch kein Platz im Fl\u00fcchtlingslager, so wurden wir in Zelten untergebracht. W\u00e4hrend des Lockdowns sind wir, wie alle anderen auch \u201czu Hause\u201dgeblieben.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\u00a0\"\"<\/td>\n26.\u00a0 <\/strong>Another world – Shabana Zahir<\/strong><\/td>\n<\/tr>\n
<\/span>Stasera \u00e8 bello il tramonto, di l\u00e0 dalla rete.<\/td>\n<\/tr>\n
\"\"Tonight the sunset, beyond the the net of fencing, is beautiful.<\/td>\n<\/tr>\n
\"\"Heute ist der Sonnenuntergang wundersch\u00f6n jenseits des Zaunes.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\u00a0\"\"<\/td>\n27.\u00a0 <\/strong>But\u00a0 her fly – Hosnia Sadat<\/strong><\/td>\n<\/tr>\n
<\/span>Sono Hosnia ed \u00e8 la prima volta che mi tolgo il velo. Ho scelto il mio preferito: quello con le farfalle.<\/td>\n<\/tr>\n
\"\"I am Hosnia and this is the first time I take off the veil. I have chosen the one I like best: the one with the butterflies.<\/td>\n<\/tr>\n
\"\"Ich bin Hosnia und zum ersten Mal nehme ich den Schleier ab. Ich entschied mich f\u00fcr meinen Lieblingsschleier: den mit den Schmetterlingen.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n28.\u00a0 <\/strong>My family \u2013 Zeinab<\/strong><\/td>\n<\/tr>\n
<\/span>Io sono Zeinab, di etnia Hazara, e ne sono orgogliosa. Guardate la magnificenza dei nostri costumi. Forse \u00e8 per invidia se in Afghanistan siamo perseguitati.<\/td>\n<\/tr>\n
\"\"I am Zeinab of the the ethnic group of Hazara and I am proud of it. Admire our beautiful traditional clothes. Maybe we are persecuted in Afghanistan because people are envious of us.<\/td>\n<\/tr>\n
\"\"Ich bin Zeinad von der Volksgruppe der Hazara und ich bin stolz darauf. Bewundern Sie unsere traditionellen Trachten. Vielleicht werden wir in Afghanistan aus Neid verfolgt.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n29. <\/strong>I AM NOT \u2013 Zeinab<\/strong><\/td>\n<\/tr>\n
<\/span>Sono Zeinab e mi \u00e8 stato chiesto di completare la frase \u201cIo sono\u201d\u2026 Ho scritto \u201cniente\u201d.<\/td>\n<\/tr>\n
\"\"I am Zeinab and I was asked to complete the sentence \u201cI am …\u201d I wrote \u201cnothing\u201d.<\/td>\n<\/tr>\n
\"\"Ich bin Zeinad und man bat mich den Satz \u201cIch bin…\u201c zu vervollst\u00e4ndigen. Ich schrieb \u201cnichts\u201d.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\u00a0\"\"<\/td>\n30. <\/strong>I AM – Kadijeh Rezai<\/strong><\/td>\n<\/tr>\n
<\/span>Io invece ho scritto \u201csono\u201d. Sono Kadijeh!<\/td>\n<\/tr>\n
I wrote \u201cam\u201d instead. I am Kadijeh!\"\"<\/td>\n<\/tr>\n
Ich dagegen schrieb ich \u201cbin\u201d. Ich bin Kadijeh!\"\"<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n31.\u00a0 <\/strong>Don’t talk – Masoumeh Kavari<\/strong><\/td>\n<\/tr>\n
<\/span>Sono Masoumeh, e sono una donna, perci\u00f2 non mi \u00e8 permesso parlare, non devo osare pensare.<\/td>\n<\/tr>\n
\"\"I am Masoumeh and I am a woman, therefore I am not allowed to talk, I mustn\u2019t dare to think.<\/td>\n<\/tr>\n
\"\"Ich bin Masoumeh und ich bin eine Frau, deshalb darf ich nicht sprechen, ich darf es nicht wagen zu denken.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n32.\u00a0 <\/strong>I don’t know – Mobina Sarwari<\/strong><\/td>\n<\/tr>\n
<\/span>Sono Mobine, e mi sento dentro una prigione. La mia prigione \u00e8 la mia famiglia.<\/td>\n<\/tr>\n
\"\"I am Mobine, and I feel inside a prison. My prison is my family.<\/td>\n<\/tr>\n
\"\"Ich bin Mobine und ich f\u00fchle mich in einem Gef\u00e4ngnis. Mein Gef\u00e4ngnis ist meine Familie.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n33.\u00a0 <\/strong>This is not my home, is my jail – Masoumeh Tajik<\/strong><\/td>\n<\/tr>\n
<\/span>Mi \u00e8 sempre piaciuto cucinare, ma qui non ci riesco. Questa non \u00e8 la\u00a0mia casa, \u00e8 la\u00a0mia prigione.<\/td>\n<\/tr>\n
\"\"I used to like cooking, but here I can\u2019t cook anymore. This is not my home, it\u2019s my prison.<\/td>\n<\/tr>\n
\"\"Ich habe immer gerne gekocht, aber ich kann es hier nicht. Das ist nicht mein Zuhause, das ist mein Gef\u00e4ngnis.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\u00a0\"\"<\/td>\n34. <\/strong>They stole my youth – Zohre Mussakhan<\/strong><\/td>\n<\/tr>\n
<\/span>Sono una sposa bambina, non potr\u00f2 pi\u00f9 giocare con la mia bambola. Mi hanno rubato l\u2019infanzia.<\/td>\n<\/tr>\n
\"\"I am a child bride, I will not be allowed to play with my doll. They have stolen my childhood.<\/td>\n<\/tr>\n
\"\"Ich bin eine Kindsbraut, ich darf nicht mehr mit meiner Puppe spielen. Sie haben mir meine Kindheit gestohlen.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n35. <\/strong>Badbadack – Parwana Zahir<\/strong><\/td>\n<\/tr>\n
<\/span>Sono Parwana, quand\u2019ero in Afghanistan facevo volare gli aquiloni. Nel campo ne ho costruito uno con stoffe colorate. Per farlo volare fuori dal muro.<\/td>\n<\/tr>\n
\"\"I am Parwana, when I lived in Afghanistan I used to fly kites. In the refugee camp I built one with coloured fabrics to make it fly out of the wall.<\/td>\n<\/tr>\n
\"\"Ich bin Parwana, als ich in Afghanistan lebte, lie\u03b2 ich immer die Drachen steigen. Im Fl\u00fcchtlingslager baute ich einen mit bunten Stoffst\u00fccken, um ihn au\u00dferhalb der Mauer fliegen zu lassen.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\u00a0\"\"<\/td>\n36.\u00a0 <\/strong>Zernadan! – Masoumeh Tajik<\/strong><\/td>\n<\/tr>\n
<\/span>Sono una donna, perci\u00f2 non mi \u00e8 permesso parlare, non devo osare pensare.<\/td>\n<\/tr>\n
\"\"I am a woman that\u2019s why I am not allowed to speak. I mustn\u2019t dare to think.<\/td>\n<\/tr>\n
\"\"Ich bin eine Frau, deshalb darf ich nicht sprechen. Ich darf es nicht wagen zu denken.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n37.\u00a0 <\/strong>Both are me – Masoumeh Tajik<\/strong><\/td>\n<\/tr>\n
<\/span>Il velo nero, la costrizione. Il velo bianco la libera scelta. Riuscir\u00f2 a ritrovare la fede che ho perso?<\/td>\n<\/tr>\n
\"\"The black veil means constraint, the white one free choice. Will I be able to regain the faith I have lost?<\/td>\n<\/tr>\n
\"\"Der schwarze Schleier bedeutet Zwang, der wei\u03b2e freie Wahl. Kann ich den verlorenen Glauben wiedererlangen?<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\u00a0\"\"<\/td>\n38.\u00a0 <\/strong>I want to go home – Masoumeh Tajik<\/strong><\/td>\n<\/tr>\n
<\/span>Quando sono arrivata al campo ho pensato: sono a casa o ci sar\u00f2 presto. Ma qui non \u00e8 \u201ccasa\u201d\u2026<\/td>\n<\/tr>\n
\"\"When I arrived at the camp I thought: I am at home or I will be soon there. But this is not \u201chome\u201d.<\/td>\n<\/tr>\n
\"\"Als ich im Fl\u00fcchtlingslager ankam, dachte ich: Ich bin zu Hause oder ich werde es bald sein. Aber das hier ich kein \u201dZuhause\u201d.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\u00a0\"\"<\/td>\n39.\u00a0 <\/strong>Homeless – Zohre Mussakhan<\/strong><\/td>\n<\/tr>\n
<\/span>\u2026 qui siamo in nessun luogo.<\/td>\n<\/tr>\n
\u2026 here we are nowhere.\u00a0\"\"<\/td>\n<\/tr>\n
\u2026 hier sind wir nirgendwo.\"\"<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n40.\u00a0 <\/strong>Freedom and Dreams – Zahra Hamdavy<\/strong><\/td>\n<\/tr>\n
<\/span>Sono Zahra, sono una donna, mio padre mi ha detto che non mi \u00e8 permesso parlare, non devo osare pensare. Ma io voglio sogni e libert\u00e0.<\/td>\n<\/tr>\n
\"\"I am Zahra, I am a woman, my father told me that I am not allowed to speak, I mustn\u2019t dare to think. But I want dreams and freedom.<\/td>\n<\/tr>\n
\"\"Ich bin Zahra, ich bin eine Frau, mein Vater hat mir gesagt, dass ich nicht sprechen darf, dass ich es nicht wagen darf zu denken. Aber ich will Tr\u00e4ume und Freiheit.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n41. <\/strong>My family – Masoumeh Tajik<\/strong><\/td>\n<\/tr>\n
<\/span>Avevo un padre e avevo una madre. Ora siedo da sola tra due sedie vuote.<\/td>\n<\/tr>\n
\"\"I had a father and I had a mother. Now I am sitting here alone between two empty chairs.<\/td>\n<\/tr>\n
\"\"Ich hatte einen Vater und ich hatte eine Mutter. Jetzt sitze ich hier allein zwischen zwei leeren St\u00fchlen.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n42.\u00a0 <\/strong>Eyes – Mahdiyeh Nejati<\/strong><\/td>\n<\/tr>\n
<\/span>Lo sguardo.<\/td>\n<\/tr>\n
\u00a0The look.\"\"<\/td>\n<\/tr>\n
\u00a0Der Blick.\"\"<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n43. <\/strong>Make up my dreams – Kadijeh Rezai<\/strong><\/td>\n<\/tr>\n
<\/span>Sono Kadijeh, e voglio diventare una truccatrice. Ma il Corano non lo permette. Cos\u00ec mi esercito a truccare i miei sogni sulle mie braccia.<\/td>\n<\/tr>\n
\"\"I am Kadijeh, and I want to be a make-up artist. But the Koran doesn\u2019t allow it. Therefore I practice by painting my dreams on my arms.<\/td>\n<\/tr>\n
\"\"Ich bin Kadijeh und ich \u00a0m\u00f6chte Maskenbildnerin werden. Aber der Koran erlaubt das nicht. Deshalb \u00fcbe ich, indem ich meine Tr\u00e4ume auf meine Arme male.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\u00a0\"\"<\/td>\n44.\u00a0 <\/strong>this dream made me survive jail – Masoumeh Kavar<\/strong><\/td>\n<\/tr>\n
<\/span>Sono Masoumeh. Mentre fuggivo dall\u2019Iran sono stata catturata dalla polizia turca. In cella ero il numero 2338. Pensavo: un giorno legger\u00f2 di nuovo un libro, giocher\u00f2 a pallavolo, mi potr\u00f2 mettere il rossetto.\u00a0Cos\u00ec sono sopravvissuta.<\/td>\n<\/tr>\n
\"\"I am Masoumeh. The Turkish police caught me while I was fleeing from Iran. In the cell of the prison I was number 2338. I was thinking that one day I will read again a book, I will play again volleyball, I will put on lipstick. That\u2019s how I managed to survive.<\/td>\n<\/tr>\n
\"\"Ich bin Masoumeh. Die t\u00fcrkische Polizei hat mich gefangengenommen, als ich aus dem Iran fl\u00fcchtete. In der Gef\u00e4ngniszelle war ich die Nummer 2338. Ich dachte daran, dass ich eines Tages wieder ein Buch lesen w\u00fcrde, dass ich wieder Volleyball spielen w\u00fcrde, dass ich mir wieder den Lippenstift auftragen w\u00fcrde. Nur so habe ich es geschafft zu \u00fcberleben.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n45.\u00a0 <\/strong>Broken Heart – Zohre Mussakhan<\/strong><\/td>\n<\/tr>\n
<\/span>Ma dove sono?<\/td>\n<\/tr>\n
Where am I?\"\"<\/td>\n<\/tr>\n
Wo bin ich?\"\"<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n46.\u00a0 <\/strong>Jail forever – Farzana Naeemi<\/strong><\/td>\n<\/tr>\n
<\/span>Il giorno del tuo matrimonio indosserai un vestito bellissimo, mi aveva detto mio padre. Invece era una prigione.<\/td>\n<\/tr>\n
\"\"On your wedding day you will wear a beautiful dress, that\u2019s what my father told me. It was a prison instead.<\/td>\n<\/tr>\n
\"\"An deinem Hochzeitstag wirst du ein wundersch\u00f6nes Kleid tragen, sagte mein Vater zu mir. Aber es war ein Gef\u00e4ngnis.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n47.\u00a0 <\/strong>How I was, how I am – Masoumeh Tajik<\/strong><\/td>\n<\/tr>\n
<\/span>Nel campo mi sono tolta il velo, ho imparato a truccarmi e a curarmi di me. Ma se mi guardo allo specchio vedo ancora come sarei se non fossi fuggita.<\/td>\n<\/tr>\n
\"\"In the refugee camp I took off the veil, I learned how to make up and how to take care of myself. But if I look in the mirror I still see what I would be like if I hadn\u2019t escaped.<\/td>\n<\/tr>\n
\u00a0\"\"Im Fl\u00fcchtlingslager habe ich den Schleier abgenommen, ich habe gelernt, mich zu schminken und auf mich selbst aufzupassen. Aber wenn ich in den Spiegel schaue, sehe ich immer noch, wie ich w\u00e4re, wenn ich nicht gefl\u00fcchtet w\u00e4re.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n48.Afghan Princess – Najima Rezai<\/strong><\/td>\n<\/tr>\n
<\/span>Sono Najima e sono afgana. Ho comprato questa coroncina al supermercato, con la tessera del campo. E mi sento una principessa.<\/td>\n<\/tr>\n
\"\"I am Najima and I am from Afghanistan. I bought this crown at the supermarket with the camp card. I feel like a princess.<\/td>\n<\/tr>\n
\"\"Ich bin Najima und ich bin Afghanin. Ich habe diese Krone mit der Lagerkarte im Supermarkt gekauft. Ich f\u00fchle mich wie eine Prinzessin.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\"\"<\/td>\n49. Marks – Neha Zeeshan<\/strong><\/td>\n<\/tr>\n
<\/span>Cos\u00ec decorano le mani delle spose il giorno del matrimonio. L\u2019inchiostro nasconde il sangue.<\/td>\n<\/tr>\n
\"\"That\u2019 s how they decorate the hands of the brides\u00a0 on their wedding day.\u00a0The ink hides the blood.<\/td>\n<\/tr>\n
\"\"So schm\u00fc<\/span>cken sie die H\u00e4nde der Br\u00e4ute am Hochzeitstag. Die Tinte verbirgt das Blut.<\/span><\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\u00a0\"\"<\/td>\n50. Womens strength<\/strong><\/td>\n<\/tr>\n
<\/span>Hanno costruito un muro attorno al campo, ci volevano imprigionare. Ma ci hanno solo insegnato a diventare pi\u00f9 unite.<\/td>\n<\/tr>\n
\"\"They have built a wall around the refugee camp, they wanted to imprison us. But they only taught us how to become more united.<\/td>\n<\/tr>\n
\"\"Sie haben eine Mauer um das Fl\u00fcchtlingslager gebaut, sie wollten uns einsperren. Aber sie haben uns nur gelehrt, vereinter zu werden.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Didascalie a cura di Elena Giacomarra, traduzioni di Rossanna Virgolin.<\/h4>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

“THEY TOOK AWAY OUR VOICE“, MOSTRA ITINERANTE DELLE ALLIEVE\u00a0DELLA\u00a0“PHOTOGRAPHY SCHOOL” DEL CAMPO PROFUGHI DI DIAVATA (GRECIA), CON TUTOR MATTIA BIDOLI. LA MOSTRA \u00c8 PROMOSSA DAL CIRCOLO FOTOGRAFICO PALMARINO, CON IL PATROCINIO ED IL SOSTEGNO DEL COMUNE DI PALMANOVA.   Dietro ogni fotografia una storia: di dolore, di violenza, di oppressione, di fuga, ma anche di […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"acf":[],"yoast_head":"\nTHEY TOOK AWAY OUR VOICE - Circolo Fotografico Palmarino<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THEY TOOK AWAY OUR VOICE - Circolo Fotografico Palmarino\" \/>\n<meta property=\"og:description\" content=\"“THEY TOOK AWAY OUR VOICE“, MOSTRA ITINERANTE DELLE ALLIEVE\u00a0DELLA\u00a0“PHOTOGRAPHY SCHOOL” DEL CAMPO PROFUGHI DI DIAVATA (GRECIA), CON TUTOR MATTIA BIDOLI. LA MOSTRA \u00c8 PROMOSSA DAL CIRCOLO FOTOGRAFICO PALMARINO, CON IL PATROCINIO ED IL SOSTEGNO DEL COMUNE DI PALMANOVA.   Dietro ogni fotografia una storia: di dolore, di violenza, di oppressione, di fuga, ma anche di […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856\" \/>\n<meta property=\"og:site_name\" content=\"Circolo Fotografico Palmarino\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/CFPalmarino\" \/>\n<meta property=\"article:modified_time\" content=\"2023-01-25T18:29:42+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cfpalmarino.it\/eventi\/wp-content\/uploads\/2023\/01\/Senza-titolo.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@CFPalmarino\" \/>\n<meta name=\"twitter:label1\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data1\" content=\"18 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856\",\"url\":\"https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856\",\"name\":\"THEY TOOK AWAY OUR VOICE - Circolo Fotografico Palmarino\",\"isPartOf\":{\"@id\":\"https:\/\/www.cfpalmarino.it\/eventi\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.cfpalmarino.it\/eventi\/wp-content\/uploads\/2023\/01\/Senza-titolo.jpg\",\"datePublished\":\"2023-01-01T10:03:41+00:00\",\"dateModified\":\"2023-01-25T18:29:42+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856#primaryimage\",\"url\":\"https:\/\/www.cfpalmarino.it\/eventi\/wp-content\/uploads\/2023\/01\/Senza-titolo.jpg\",\"contentUrl\":\"https:\/\/www.cfpalmarino.it\/eventi\/wp-content\/uploads\/2023\/01\/Senza-titolo.jpg\",\"width\":730,\"height\":114},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.cfpalmarino.it\/eventi\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"THEY TOOK AWAY OUR VOICE\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.cfpalmarino.it\/eventi\/#website\",\"url\":\"https:\/\/www.cfpalmarino.it\/eventi\/\",\"name\":\"Circolo Fotografico Palmarino\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.cfpalmarino.it\/eventi\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"it-IT\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"THEY TOOK AWAY OUR VOICE - Circolo Fotografico Palmarino","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856","og_locale":"it_IT","og_type":"article","og_title":"THEY TOOK AWAY OUR VOICE - Circolo Fotografico Palmarino","og_description":"“THEY TOOK AWAY OUR VOICE“, MOSTRA ITINERANTE DELLE ALLIEVE\u00a0DELLA\u00a0“PHOTOGRAPHY SCHOOL” DEL CAMPO PROFUGHI DI DIAVATA (GRECIA), CON TUTOR MATTIA BIDOLI. LA MOSTRA \u00c8 PROMOSSA DAL CIRCOLO FOTOGRAFICO PALMARINO, CON IL PATROCINIO ED IL SOSTEGNO DEL COMUNE DI PALMANOVA.   Dietro ogni fotografia una storia: di dolore, di violenza, di oppressione, di fuga, ma anche di […]","og_url":"https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856","og_site_name":"Circolo Fotografico Palmarino","article_publisher":"https:\/\/www.facebook.com\/CFPalmarino","article_modified_time":"2023-01-25T18:29:42+00:00","og_image":[{"url":"https:\/\/www.cfpalmarino.it\/eventi\/wp-content\/uploads\/2023\/01\/Senza-titolo.jpg"}],"twitter_card":"summary_large_image","twitter_site":"@CFPalmarino","twitter_misc":{"Tempo di lettura stimato":"18 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856","url":"https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856","name":"THEY TOOK AWAY OUR VOICE - Circolo Fotografico Palmarino","isPartOf":{"@id":"https:\/\/www.cfpalmarino.it\/eventi\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856#primaryimage"},"image":{"@id":"https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856#primaryimage"},"thumbnailUrl":"https:\/\/www.cfpalmarino.it\/eventi\/wp-content\/uploads\/2023\/01\/Senza-titolo.jpg","datePublished":"2023-01-01T10:03:41+00:00","dateModified":"2023-01-25T18:29:42+00:00","breadcrumb":{"@id":"https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856#primaryimage","url":"https:\/\/www.cfpalmarino.it\/eventi\/wp-content\/uploads\/2023\/01\/Senza-titolo.jpg","contentUrl":"https:\/\/www.cfpalmarino.it\/eventi\/wp-content\/uploads\/2023\/01\/Senza-titolo.jpg","width":730,"height":114},{"@type":"BreadcrumbList","@id":"https:\/\/www.cfpalmarino.it\/eventi\/?page_id=3856#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.cfpalmarino.it\/eventi"},{"@type":"ListItem","position":2,"name":"THEY TOOK AWAY OUR VOICE"}]},{"@type":"WebSite","@id":"https:\/\/www.cfpalmarino.it\/eventi\/#website","url":"https:\/\/www.cfpalmarino.it\/eventi\/","name":"Circolo Fotografico Palmarino","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.cfpalmarino.it\/eventi\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"it-IT"}]}},"_links":{"self":[{"href":"https:\/\/www.cfpalmarino.it\/eventi\/index.php?rest_route=\/wp\/v2\/pages\/3856"}],"collection":[{"href":"https:\/\/www.cfpalmarino.it\/eventi\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.cfpalmarino.it\/eventi\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.cfpalmarino.it\/eventi\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cfpalmarino.it\/eventi\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3856"}],"version-history":[{"count":61,"href":"https:\/\/www.cfpalmarino.it\/eventi\/index.php?rest_route=\/wp\/v2\/pages\/3856\/revisions"}],"predecessor-version":[{"id":4621,"href":"https:\/\/www.cfpalmarino.it\/eventi\/index.php?rest_route=\/wp\/v2\/pages\/3856\/revisions\/4621"}],"wp:attachment":[{"href":"https:\/\/www.cfpalmarino.it\/eventi\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}